Born in Hull and raised in Hackney, Dai Vaughan was a teenage poet when in 1951 he attended the opening of Britain’s National Film Theatre in London. He recalled: ‘That you could see shots or images as a complex metaphor was a revelation.’
His breakthough as an editor came after working with fellow London Film School alumni Jane Wood and David Naden on Gala Day. Filmed in 1962, using mute hand-held 16mm cameras, Gala Day’s structure and use of unsynchronised sound…