hoo:ha bills itself as 'comic performance art that cleverly pits funniness against sexiness in a knock-down, drag-out fight for control of the female body'. It was definitely funny, and it was often funny about sexiness, but there wasn't much of a battle between funniness and sexiness, and if control of the female body was explored, that was never explicit beyond the promotional material.
In terms of…
This was one of the most powerful pieces of theatre I've seen in a long time. The audience was promised gun-twirlin', play-actin', and Nancy-Sinatra-dancin'. We got all those things, and we didn't get any strong swear words, explicit sexual references, nudity, or actual bloodshed. Technically, it was a show you could have taken your children to, but it was also much more sexual, and certainly more violent and disturbing, than the show I went on to watch later that evening, which actually…
This was one of those plays which makes you feel you must have missed something when you finish watching it.
I'm reasonably confident I didn't miss something though, as the friend I watched it with had exactly the same response. It was as if the team behind 'Superfunadventuretimes' had come up with a concept (which was, very vaguely: the fantasy genre à la Brecht), been carried away with the…
