Culture

13 August 2011Feature

Northern Ireland is dotted with murals, created by both loyalist and republican communities. Bill Rolston explains how and why they originate, and argues that, while we don't have to accept their political message, they should be treasured nonetheless.

At any one time there are hundreds of political wall murals throughout Northern Ireland. The tradition goes back a century in loyalist areas, but only a quarter of that time in republican areas.

Yet this phenomenon is often rejected out of hand. The art establishment is quick to point out that the murals are not “art”, but propaganda, the supposed antithesis of art. Many mainstream politicians view the murals simply as incitement to sectarian hatred, which ought to be obliterated.…

13 August 2011Feature

Andrew Rigby tells the story of the "peace symbol"

The most common representation of peace emblems in Britain occurs on people's clothing and attire in the form of badges, ear-rings and the like, or in the guise of “bumper stickers” and other emblems attached to cars and bicycles - personal possessions emblazoned with such symbols as rainbows, doves, olive leaves, broken rifles and “smiling suns”.

These are mobile peace symbols, worn for display and as items of fashion, but they can also signify something about the general…

13 August 2011Feature

Anarcho-punk legends Oi Polloi have been around since 1981, but recently their music's taken a completely new turn. Their latest album, Ar Ceòl, Ar CÃnan, Ar-a-mach (a pun, meaning Our Music, Our Language, Revolt) is entirely in Gaelic.

Scottish Gaelic (pronounced “gah-lick”, rather than “gay-lick”) is a minority-language based around the north-west of Scotland with about 60,000 fluent speakers and up to 100,000 with a good grasp of it.

13 August 2011Feature

PN: Tell us some background about ACE.

M: ACE dates back to the council-funded Edinburgh Unemployed Workers' Centre in the 1980s. The Centre had been prominent in the movement for non-payment of the poll tax and other sorts of direct action.

In 1992 the council cut off all funding. So the Centre users took it over and ran it collectively.

In summer 1994, the council issued an eviction notice and then we occupied the building 24 hours a day until…

13 August 2011Feature

PN interviews the chair of an empowering arts organisation

Mark Faulkner, coming to the end of two years chairing Room 13 Lochyside, described how the organisation had opened up “a whole new world” to him, making him realise that art was not about painting landscapes, but about “painting a brain on a piece of paper”.

Mark, 12, went on: “My own pieces are quite cryptic. I quite like it when instead of just walking past a piece, you have to look at it for about 30 minutes. And there’d be no piece of writing next to it, because that would be the…

13 August 2011Feature

The idea began at the Friends Meeting House in Taunton in 1981. 11-year-old Jonathan Stocks felt the room where they held the children’s meeting needed cheering up. Anne was a professional embroiderer who had recently studied the Bayeux Tapestry. She had a vision of a Quaker embroidery - a series of panels each illustrating one event or idea from Quaker history. Each panel would be made (researched, designed and embroidered) by a different Meeting or group, but she would oversee the design…

13 August 2011Feature

A new exhibition documents the Quaker struggle for peace

From the first, the Quakers have taken a clear stand for peace and against military action. In 1660, soon after the movement’s founding, Margaret Fell, the Mother of Quakerism, gave her testimony: “We are a people that follow after those things that make of Peace, Love and Unity.”

The Quaker Tapestry, displayed in the Quaker Tapestry Exhibition Centre, tells the history of Quakerism. A new exhibition, Weapons of the Spirit, has been created in a small space within the main exhibition…

13 August 2011Feature

With an emphasis on resistance, culture and identity, and with help from a group of Chilean and Argentinian survivors, War Resisters' staff member Roberta Bacic delivers insights into the struggle against impunity.

Jaime Huenun, an indigenous Chilean poet, has quoted from an old wise Mapuche called Manuel Rauque, "When we recover our past, the earth will open its secrets."

Let me briefly introduce you to our recent Chilean history, and then let some of the protagonists tell us their stories from their own perspective, to help us make sense of what happened and to build our own image of what resistance has meant for us and how it has shaped our culture and identity.

On 11 September 1973…

13 August 2011Feature

Spanish activist collective, Murcia Canción de Autor, produce "homage" CDs to well-known political artists and engage in public performances. Roberta Bacic talked with Jesús Cutillas.

Roberta: Tell us a bit about your group, what you do and why you do it

Jesus: Our association, “Murcia Canción de Autor” (Murcia Songwriters)wants to give each person who wants to sing in public a chance to do so. We share our songs and ideas about the world and music in general and, in particular, “cancio'n de autor”. Participating in the homage to Victor Jara CD has been a collaboration with the Itaca co-op, with which we have been doing similar “homages”. This year we decided to…

13 August 2011Feature

In June 2002 the Indian Censor Board demanded unprecedented cuts to a homegrown documentary film. They included deleting all scenes and audio which depict "leaders" and a sequence in which a Dalitneo-Buddhist argues that it is a travesty that nuclear tests were carried out on Buddha's birthday. Chandra Siddan interviewed radical filmmaker Anand Patwardhan.

The following interview was conducted with filmmaker Anand Patwardhan, who recently produced War and Peace - a three-hour film of epic proportions about the state of affairs in Pakistan and India. We spoke in Toronto during the Hot-docs Film Festival after the showing of his film.

 

CS: Anand, do you call your self a Gandhian? I am going by what I saw in War and Peace where you trace your relationship to Gandhi through your uncles and other Gandhians in the…

13 August 2011Feature

"When they see us, they think Rage Against The Machine was for kids" - Aki Nawaz talks with PN about music, free speech, gender and Islam.

Over the summer there was a minor media storm as, in the run up to 7/7, journalists and politicians heard about Fun Da Mental's new album All is War. It's a provocative and challenging album (see review opposite) and the track that caught the media's attention is called Cookbook DIY. We caught up with main man Aki Nawaz and, at his request, tried to ask him some “hard” questions!

 

PN: The mainstream media have given you a seriously hard time over the album…

13 August 2011Feature

Ippy: Your music is politicised by design, but what did you get into first, music or politics, and when?

Adam: We all know that music (noise) and politics (anything that governs our lives) are every day, act to act, moment to moment continuums that inform and shape our lives. I can say that in 1971 a nine-year-old (who would later become the brilliant but derided political theorist and Kant scholar-professor Arthur Strum) exposed me to Nixon's secret bombing of Cambodia, as well as…

13 August 2011Feature

During the summer holidays, I spent four days filming Iraqi Refugee children in Amman, Jordan.

When I returned back to England, I knew it was going to be fun editing the film but it was also going to be very hard and time consuming work.

Milan Rai and I spent one intensive week editing the film sometimes up to six hours a day.

I had a lot of footage. We managed to make 20 minutes of a rough copy.

I also worked on my own, editing more footage on my laptop…

1 July 2011Feature

A pacifist reflects on the many-sided television character, Doctor Who, with spoilers aplenty (especially if you haven’t seen the recent series).

Given how frequently the international community uses violence to resolve political conflicts, it is perhaps not surprising that film and TV reflect this. The myth of redemptive violence is a powerful and familiar cultural theme, and, as the excellent documentary Tough Guise (Media Education Foundation) points out, our heroes get tougher and stronger, carrying bigger weapons each year. So it’s always refreshing to find a TV programme prepared to accept that life is more complex than this.…

1 July 2011Review

OR Books, 2011; 336pp; £11 from www.orbooks.-com

The trouble with short story anthologies is that you can never quite tell what you’re going to get. Unless you are familiar with all the writers in the collection, you just have to dive in and hope for the best. Welcome to the Greenhouse is a typical anthology in this regard. Since I’m not a sci-fi fan I’d never heard of any of the authors, and so I dipped in not knowing what to expect.

What I got was a mixed bag. Some fine stories, some dull, some too badly written to finish. The…